Promotional Video Editing & Footage
Budget / SalaryHourly project
TypeFreelance project
LocationRemote
Posted1 hour ago
I have a batch of raw material ready to go and now need a skilled editor to transform it into a polished promotional video. The job is two-fold: first, weave my existing clips into a clear, compelling story; second, source or shoot any extra footage required to fill the gaps, keeping the look and tone seamless throughout.
You’ll handle everything from rough cut to final master—trimming, colour grading, sound sweetening, simple motion graphics, and tasteful transitions—so the end product feels cohesive and on-brand. I’ll supply the current footage, branding assets, and a rough outline of key messages; you bring the creative vision, technical precision, and an eye for pacing that holds attention from the first frame.
Deliverables
• One finished promotional video (HD or 4K MP4, depending on footage mix) ready for online use
• Any newly captured or licensed footage, with proof of usage rights
• Project files (Premiere Pro, Final Cut, or DaVinci Resolve) so I can make minor tweaks later
Acceptance criteria: final cut is under the agreed runtime, free of watermarked assets, colour-matched across old and new shots, and delivered on or before the deadline we set together.
If this sounds like the right fit, let’s talk timelines and any creative references you’d like me to consider.
You’ll handle everything from rough cut to final master—trimming, colour grading, sound sweetening, simple motion graphics, and tasteful transitions—so the end product feels cohesive and on-brand. I’ll supply the current footage, branding assets, and a rough outline of key messages; you bring the creative vision, technical precision, and an eye for pacing that holds attention from the first frame.
Deliverables
• One finished promotional video (HD or 4K MP4, depending on footage mix) ready for online use
• Any newly captured or licensed footage, with proof of usage rights
• Project files (Premiere Pro, Final Cut, or DaVinci Resolve) so I can make minor tweaks later
Acceptance criteria: final cut is under the agreed runtime, free of watermarked assets, colour-matched across old and new shots, and delivered on or before the deadline we set together.
If this sounds like the right fit, let’s talk timelines and any creative references you’d like me to consider.
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