Dallas Contract Promotional Video Editor
Budget / Salary₹12,500–37,500
TypeFreelance project
LocationRemote
Posted1 hour ago
I have an ongoing slate of promotional videos for multiple Dallas-based businesses and I’m looking for a contract editor who can turn raw footage into eye-catching, brand-ready content. Every spot has to feel fresh, creative, and visually appealing while still speaking the language of each individual company.
Here’s what every cut must include:
• Text overlays and on-brand graphics
• Thoughtfully chosen music and sound effects that lift the story
• Smooth, engaging transitions and animation accents
You should be comfortable jumping between short social clips and longer web pieces, matching brand guidelines, color-grading for consistency, and delivering final masters in 1080p (4K when available). Premiere Pro and After Effects are my usual tools, but I’m open if you achieve the same polish with Resolve or another professional suite.
Most projects run one to three minutes, and I’ll supply organized footage, reference edits, and brand assets. Turnaround is typically one week per spot, with feedback rounds baked in. If you can commit to a dependable schedule, collaborate remotely yet drop in for occasional on-site sessions around Dallas when needed, and bring a storyteller’s eye to each frame, let’s connect—there’s a pipeline of work waiting.
Here’s what every cut must include:
• Text overlays and on-brand graphics
• Thoughtfully chosen music and sound effects that lift the story
• Smooth, engaging transitions and animation accents
You should be comfortable jumping between short social clips and longer web pieces, matching brand guidelines, color-grading for consistency, and delivering final masters in 1080p (4K when available). Premiere Pro and After Effects are my usual tools, but I’m open if you achieve the same polish with Resolve or another professional suite.
Most projects run one to three minutes, and I’ll supply organized footage, reference edits, and brand assets. Turnaround is typically one week per spot, with feedback rounds baked in. If you can commit to a dependable schedule, collaborate remotely yet drop in for occasional on-site sessions around Dallas when needed, and bring a storyteller’s eye to each frame, let’s connect—there’s a pipeline of work waiting.
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